Monday, February 27, 2012

Clapton and Richards: Tribute to Hubert Sumlin


Close to midnight last night at New York's Apollo Theater, Eric Clapton had just finished a thunderous take on classic blues number "Forty Four" when Keith Richards ambled onstage with no introduction. Wearing a dark blazer, long green scarf, fedora and a huge grin, he embraced Clapton and stood center stage to massive applause, delivering a smoky take on Wolf’s "Going Down Slow," a chronicle of a frail man who has savored life’s greatest pleasures. "Man, I've had things that kings and queens will never have," Richards growled. "In fact, they don't even know about them, let alone get ’em. And good times? Mmmm...." He hovered around Clapton and then stood sidestage by the piano while Clapton delivered a throaty verse and then weaved clean-toned solos with young Austin guitarist Gary Clark Jr.

There were many highlights at Howlin for Hubert – a tribute to guitarist Hubert Sumlin, who played in Howlin’ Wolf’s band for decades and passed away on December 4th due to heart failure – but that was the peak. It was Richards’ first major musical appearance since the Rolling Stones last toured five years ago, and he showed little rust. After "Going Down Slow,"  he sat down and played metallic 12-string slide while singing "Little Red Rooster," and then strapped on a Gibson electric guitar to sing and trade licks with Clapton on "Spoonful." "It’s good to be back," Richards said, peering up to the balcony before breaking into a cackle. "Goddamn, it’s good to be back."

The entire show, which featured all-stars including Buddy Guy, Billy Gibbons, Warren Haynes, Jimmie Vaughan, Derek Trucks, Doyle Bramhall II and Elvis Costello –  plus overlooked legends like Wolf’s former bandmates, harmonica player James Cotton, guitarist Jody Williams and saxophonist Eddie Shaw – was one for the history books. The event originated while Sumlin was still alive as a celebration to mark his 80th birthday. It stayed that way; Guest after guest recounted Sumlin’s unfaltering positivity and passion for his instrument. At one point, Toni Ann Mamary, Sumlin’s longtime manager and companion, tearfully recalled Sumlin tellling her, "I’m gonna be there. I don’t care if I play – I’m going to be there." She added, "Can you feel him?"

by Patrick Doyle, Rolling Stone |  Read more:
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